Ratio, affectus, sensus: Literary Culture of the Baroque in the Grand Duchy of Lithuania
In 2025, we will commemorate the 400th anniversary of the first publication of Matheus Casimirus Sarbievius' most famous Latin poetry collection 'Lyricorum libri tres' (1625). This has led to 2025 being declared the Year of Baroque Literature in Lithuania. The eminent Jesuit neo-Latin poet of the Polish-Lithuanian Commonwealth, Sarbievius, has been hailed as the Christian Horace and the Sarmatian Horace. His theoretical thoughts on poetry and rhetoric are still highly regarded and have inspired new research on other concurrent themes and authors. This anniversary provides an opportunity to explore the extent and diversity of Baroque literary culture, which has seen a surge of interest in recent decades, both in the academic world and in popular culture. Therefore, the Institute of Lithuanian Literature and Folklore, together with the Faculty of Philology of Vilnius University, is organising an international academic conference "Ratio, affectus, sensus: Literary Culture of the Baroque in the Grand Duchy of Lithuania" on 25-27 September 2025 in the baroque city of Vilnius.
The aim of the multidisciplinary conference is to stimulate discussion on the literary culture of the "long seventeenth century" (from the end of the 16th century to the middle of the 18th century) in the Grand Duchy of Lithuania. This historical period, associated with dramatic changes and a general cultural crisis, is often described in contradictory terms and in constant tension between reason and senses, rigid structure and passions, classifications and impressions, etc. By embracing this contradiction, we invite an exploration of the theme in question through the lens of this dynamic interplay between reason (ratio), emotion (affectus) and the senses (sensus), which can be perceived in various genres of the period, such as poetry, biography, hagiography, rhetoric, private and public correspondence, and so on. The importance of the modern approach lies not only in what it can reveal about the Baroque in the Grand Duchy of Lithuania, but also about subsequent and contemporary literary culture, as scholars have demonstrated the continuing influence of a 'Baroque spirit'.
Event location
25–26 September the conference will take place at V. Krėvė (118) auditorium, Faculty of Philology
27 September the conference will take place at the Church Heritage Museum, Šv. Mykolo g. 9 (entrance from Maironio g. "Arkangelo konferencijų centras")
Keynote speakers

Ona Dilytė-Čiurinskienė
Senior Researcher, The Institute of Lithuanian Literature and Folklore
Prof Stephen Harrison
Professor of Latin literature, University of Oxford
Ensemble Šviesotamsa (Vilnius)
The ensemble Šviesotamsa (it. Chiaroscuro), founded in 2014 in Vilnius, presents the figure of the 17th-century poet Maciej Kazimierz Sarbiewski (1595–1640), regarded as one of the most renowned Latin-writing poets of Europe. Born in 1595 in Sarbiewo, Masuria (Poland), Sarbiewski’s life was most closely connected with Vilnius and Lithuania.
This concert program of italian baroque music is presented to the Vilnius audience for the first time, intimately linked to the poet’s surroundings and reflecting three decades and places of his life:
- In 1612, Sarbiewski entered the Jesuit novitiate in Vilnius, at St. Ignatius Church.
- In 1622, having begun his studies at Vilnius University in 1620, he continued them in Rome. In this milieu, he heard the works of leading composers and performers of the time, such as G. Kapsberger (who dedicated a work to Władysław Vasa), Fr. Anerio (who worked at the Vasa court), Fr. Caccini, V. Mazzochi, and others.
- In 1635, Sarbiewski was appointed preacher at St. John’s Church in Vilnius. That same year he became court preacher to King Władysław Vasa, residing with the monarch in Kraków, Warsaw, and Vilnius.
Concert is supported by the Vilnius city municipality
Free entrance
Ensemble Šviesotamsa:
- Rūta Vox (Vosyliūtė) – soprano
- Marianna Puriņa (Latvia) – baroque violin
- Vilimas Norkūnas – bass, harpsichord, basso continuo
The ensemble’s three founders – Rūta Vosyliūtė (baroque voice), Ieva Baublytė (recorders, Gothic harp), and Vilimas Norkūnas (harpsichord, organ) – completed specialized Early Music studies in Italy, Switzerland, and Austria. Their shared desire to bring the knowledge and experience of Early Music gained in Western Europe back to Lithuania brought them together. For this project, violinist Marianna Puriņa (Latvia) joins the ensemble.
The name Šviesotamsa (“Chiaroscuro”) evokes the origins of the Baroque era. The expression of strong emotions, passions, and contrasting moods through light and darkness permeates all Baroque art – from Caravaggio’s paintings to the recitar cantare vocal style in the music of G. Caccini, C. Monteverdi, and others.